C4: Maiolica dish: Mucius Gaius Scaevola before Lars Porsenna

C4: Maiolica dish: Mucius Gaius Scaevola before Lars Porsenna
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© The Holburne Museum of Art, Bath
Museum number C4
Title Maiolica dish: Mucius Gaius Scaevola before Lars Porsenna
Object type In category: Ceramics » Dish
Date Circa 1560
People Studio of Ludovico and Angelo Picchi (ca 1555-1605) - Pottery painter(s)
Place of origin Europe » Southern Europe » Italy » Northern Italy » Northern Italy
Condition Good
Dimensions 24.1 cm diameter
Materials & techniques In category: Ceramic » Pottery » Earthenware » Tin-glazed earthenware » Maiolica

Description Maiolica Dish, circular with wide rim. Painted in green, blue, orange, black, white, yellow oxides. Shows Roman story of Mucius Gaius Scaevola.
Marks and inscriptions
Inscription Location Method
Mutio che lasha destra evanti: cocie reverse painted
Style Neo-classical Renaissance
Subject Allegory
Figure
History
Military
Notes

This dish shows the story of Mucius Gaius Scaevola.  The earliest known reference to this popular story is in a fragment from a Roman history produced by mid-second century BC author Lucius Cassius Heminia. It was included in Ab Urbe Condita, a  history of Rome written by Titus Livius also known as Livy in 27-25 AD. During the siege of Rome by Etruscan King Lars Porsenna, Roman soldier Mucius Gaius stole into the enemy’s camp in order to kill the king. After mistaking an attendant for Porsenna and slaying him instead, Mucius Gaius was captured by the Etruscans and was ordered to be thrown into the fire.
Whilst being presented to the king, the solider adamantly declared his proud allegiance to Rome, stating 'I am Gaius Mucius, a citizen of Rome. I came here as an enemy to kill my enemy, and I am as ready to die as I am to kill. We Romans act bravely and when adversity strikes, we suffer bravely'. To prove such a claim, Mucius Gaius went on to declare that he was one of three hundred other Romains willing to give their lives for the city, before displaying such defiance by unflinchingly casting his right hand into a burning brazier. Impressed by such a courageous act, Lars Porsenna freed the soldier before bestowing him the title Scaevola (meaning left-handed). This tale of Roman heroism was a popular in Renaissance Italy. Other pieces of maiolica decoarted with the same subject are in the Wallace Museum, the British Museum and the Museum of Scotland.

Displaying such ancient acts of patriotism would have set a good example of behaviour within the Renaissance community.
Paola Tinagli observes in her study Women in Italian Renaissance Art (1997) that heroes from Roman Republican history, like Horatius Cocles and Mucius Scaevola, pointed the way to virtues suited to the defence of the republic, and were particularly significant to Republican Florence.

Muse theme The Art of Collecting
Muse chapter The History of the Holburne Collection » The Collection » Ceramics
Gallery Label

Mucius Scaevola, Maiolica dish, (Castel Durante, probably workshop of Ludovico & Angelo Picchi, c. 1560)


This dish depicts the Roman story of Mucius Gaius Scaevola. During the siege of Rome by King Lars Porsenna, Roman soldier Mucius Gaius stole into his enemy’s camp in order to kill the king. After mistaking an attendant for Porsenna and killing him instead, Mucius Gaius was captured and ordered to be thrown into the fire. Whilst being presented to the king, the soldier adamantly declared his proud allegiance to Rome and displayed his defiance by unflinchingly placing his right hand in the fire. Impressed by such a brave act, Lars Porsenna freed Mucius Gaius, who was afterwards known as Scaevola (meaning left-handed).
This tale of Roman heroism was a popular subject in Renaissance Italy, with Mucius Scaevola being depicted in a variety of decorative arts, including painted wedding chests (Cassoni). Portraying such ancient acts of patriotism would have set a good example of behaviour to Renaissance men and women.




Provenance Sir Thomas William Holburne (1793-1874); by whom bequeathed to Mary Anne Barbara Holburne (1802-1882), by whom bequeathed to the Museum

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