C5: Maiolica dish: allegory of Fortitude

C5: Maiolica dish: allegory of Fortitude
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© The Holburne Museum of Art, Bath
Museum number C5
Title Maiolica dish: allegory of Fortitude
Object type In category: Ceramics » Dish
Date Circa 1550
Place of origin Europe » Southern Europe » Italy » Northern Italy » Veneto » Venice
Condition Fair
Dimensions 25.2 cm diameter
Materials & techniques In category: Ceramic » Pottery » Earthenware » Tin-glazed earthenware » Maiolica

Description Small round maiolica dish with shallow lip. Painted with woman representing Fortitude, opening a lion's mouth. Painted in yellow, blue, white, green and blue oxides.
Style Renaissance
Subject Allegory
Mythology
Notes

The Cardinal Virtues were commonly used in both sacred and secular contexts.  As Plato originally proposed the Cardinal Virtues in The Republic, they have been naturally applied to government and the morals of civic duty.  St. Thomas Aquinas also wrote extensively on the Cardinal Virtues in his Summa Theologica.

Giovanni Bellini depicted a similar scene of a woman and a lion, which may have been an inspiration for this plate.  

The woman and the lion was a common tarot card in Renaissance Italy.  For example, a Tarocchi del Mantegna card made in Ferrara around 1470 illustrates a woman, lion, and broken column.  This personification of strength eventually became a standard feature in Tarot.  In fact, the image is still used in Tarot card decks today.  The Strength card recognizes the subject’s self-discipline and serenity of self.  Those attributed to the Strength card control his or her fate.  Tarot cards were not only used for divination, but were used in various card games making them accessible to a wide audience.  The Cardinal Virtues Temperance and Justice also appear in the Tarot card decks.  

The attribution of this dish to Domenico da Venezia was suggested by Tim Wilson of the Ashmolean Museum.  The colouring and sketchy lines are characteristic of Domenico da Venezia.  A similar technique may be seen in the depiction of Cupid on a dish in the collection (C7).  A similar dish in the Fitzwilliam Museum is also attributed to the Domenego da Venezia workshop, but some doubt has recently arisen regarding its maker.  A dish in the Wallace Collection that depicts the same subject is attributed to Deruta c. 1520-1540.   

Literature Aquinas, Thomas, The Summa Theologica.  New York: Forgotten Books, 2007.



Plato (translated by Allan David Bloom), The Republic,  New York:  Basic Books, 1968.
Price, Robert Michael,  The Tarot: History, Symbolism, and Divination, Jeremy P.
Tarcher/Penguin, 2005.


Muse theme The Art of Collecting
Muse chapter The History of the Holburne Collection » The Collection » Ceramics
Gallery Label
This dish depicts an allegory of Fortitude, one of the four Cardinal Virtues.  The pairing of a woman and a lion is meant to illustrate inner strength and control.  A more common representation of Fortitude pairs a woman with a broken marble column as a juxtaposition of strength and weakness.  The use of the lion on this dish, however, suggests the intention to convey a more startling scene.  Though confronted by a violent animal, the woman maintains her serenity.  She even demurely looks away from the beast.  

Without proper context this scene may appear quite odd.  This imagery may be better appreciated in conjunction with the three other Cardinal Virtues, as it may have once been part of a set.  Representations of Prudence, Justice, and Temperance similarly use women paired with various objects identifying their allegorical role.  Prudence is often depicted with either a mirror or serpent; Justice may be recognized by a pair scales or a sword; and Temperance commonly holds a wine jug.  




Provenance Sir Thomas William Holburne (1793-1874); by whom bequeathed to Mary Anne Barbara Holburne (1802-1882), by whom bequeathed to the Museum

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