C5: Maiolica dish: allegory of Fortitude

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© The Holburne Museum of Art, Bath
| Museum number | C5 |
| Title | Maiolica dish: allegory of Fortitude |
| Object type | In category: Ceramics » Dish |
| Date | Circa 1550 |
| Place of origin | Europe » Southern Europe » Italy » Northern Italy » Veneto » Venice |
| Condition |
Fair |
| Dimensions |
25.2 cm diameter |
| Materials & techniques |
In category:
Ceramic
»
Pottery
»
Earthenware
»
Tin-glazed earthenware
»
Maiolica
|
| Description | Small round maiolica dish with shallow lip. Painted with woman representing Fortitude, opening a lion's mouth. Painted in yellow, blue, white, green and blue oxides. |
| Style |
Renaissance
|
| Subject |
Allegory Mythology |
| Notes | The Cardinal Virtues were commonly used in both sacred and secular contexts. As Plato originally proposed the Cardinal Virtues in The Republic, they have been naturally applied to government and the morals of civic duty. St. Thomas Aquinas also wrote extensively on the Cardinal Virtues in his Summa Theologica. The attribution of this dish to Domenico da Venezia was suggested by Tim Wilson of the Ashmolean Museum. The colouring and sketchy lines are characteristic of Domenico da Venezia. A similar technique may be seen in the depiction of Cupid on a dish in the collection (C7). A similar dish in the Fitzwilliam Museum is also attributed to the Domenego da Venezia workshop, but some doubt has recently arisen regarding its maker. A dish in the Wallace Collection that depicts the same subject is attributed to Deruta c. 1520-1540. |
| Literature |
Aquinas, Thomas, The Summa Theologica. New York: Forgotten Books, 2007. Plato (translated by Allan David Bloom), The Republic, New York: Basic Books, 1968. Price, Robert Michael, The Tarot: History, Symbolism, and Divination, Jeremy P. Tarcher/Penguin, 2005. |
| Muse theme | The Art of Collecting |
| Muse chapter |
The History of the Holburne Collection » The Collection » Ceramics
|
| Gallery Label |
This dish depicts an allegory of Fortitude, one of the four Cardinal Virtues. The pairing of a woman and a lion is meant to illustrate inner strength and control. A more common representation of Fortitude pairs a woman with a broken marble column as a juxtaposition of strength and weakness. The use of the lion on this dish, however, suggests the intention to convey a more startling scene. Though confronted by a violent animal, the woman maintains her serenity. She even demurely looks away from the beast. Without proper context this scene may appear quite odd. This imagery may be better appreciated in conjunction with the three other Cardinal Virtues, as it may have once been part of a set. Representations of Prudence, Justice, and Temperance similarly use women paired with various objects identifying their allegorical role. Prudence is often depicted with either a mirror or serpent; Justice may be recognized by a pair scales or a sword; and Temperance commonly holds a wine jug. |
| Provenance | Sir Thomas William Holburne (1793-1874); by whom bequeathed to Mary Anne Barbara Holburne (1802-1882), by whom bequeathed to the Museum |




