FB662: Henry Bunbury Esq.

FB662: Henry Bunbury Esq.
View larger photo
© The Holburne Museum of Art, Bath
Museum number FB662
Title Henry Bunbury Esq.
Object type In category: Pictures » Print » Engraving
Date 24- 4- 1789
People By Lawrence, Thomas (English painter, 1769-1830) (known) - Artist(s)
Ryder, Thomas (British printmaker, 1746-1810) (known) - Engraver(s)
Place of origin Europe » Northern Europe » British Isles » Great Britain » England » London
Condition Fair
Dimensions 32.1 cm height image size
28.5 cm width image size
40.8 cm height paper
31.2 cm width paper
Materials & techniques In categories:
Pictures: Medium » Ink
Pictures: Support » Paper

Description

Stipple engraving in oval.  Three-quarter length portrait of a gentleman seated in an open colonnade with wooded slopes behind.  Wearing own hair dressed loosely, high-collared coat, buttoned waistcoat with large collar, pale breeches.  Leaning on a small table and holding a long strip of paper marked "LONG MINUET" on which he is drawing dancing figures. 

 

Marks and inscriptions
Inscription Location Method
Lawrence pinxt Front: lower left: edge of image printed
Ryder Sculpt Front: lower right: edge of image printed
HENRY BUNBURY Efq. Front: lower centre printed
LONG MINUET On paper in sitter's hand engraved
CH + / Find frame / 1078H Back-Bottom right In hand of Frank Brown, handwritten in pencil
Subject Portrait
Notes

Henry William Bunbury (b.1750 in Suffolk, d.1811 in Keswick) was an amateur caricaturist. He was educated at Westminster and St Catherine's in Cambridge. He published two strip cartoons in 1781 "A Long Minuet as danced in Bath" and "The Propagation of a lie." He published "An Academy for Grown Horsemen" in 1781 under the name of Geoffrey Gambado.

Thomas Lawrence was in Bath between 1780 and 1789, between the ages of about 11 and 17. Here he made a name for himself with an extraordinary series of oval portraits painted in pastel from life, including several portraits of local and visiting celebrities.

When Bunbury sat to Lawrence around 1787, shortly before Lawrence left Bath for a triumphant career in London, he chose to be drawn with one of his most celebrated caricatures, A Long Minuet as Danced at Bath which was published in 1787. Lawrence's original pastel is in the National Portrait Gallery, NPG 4696.

Exhibit label for The Long Minuet written in 2002 for Pickpocketing the Rich exhibition:

after Henry William Bunbury (1750-1811)

A LONG MINUET AS DANCED AT BATH, 1787

Stipple engraving, Private Collection

The absurdity of visitors to Bath could easily be observed at public assemblies, whether by a caricaturist like Bunbury, a novelist like Jane Austen, or a satirist like Christopher Anstey, whose Election Ball of 1776 is a similar account of the absurdities of Bath's dancers trying to look elegant and fashionable:

"Nothing, I think, can more please and engage

Than a Contrast of Stature, Complexion and Age."

This remarkable engraving, seven feet long and printed on four sheets of paper joined together, began a fashion for similarly shaped caricatures. The long format originated in topographical views.

Literature A Talent to Amuse: The Eighteenth Century Caricaturist Henry William Bunbury 1750-1811, Exhibition catalogue, Norwich Castle Museum, 1998
Pickpocketing the Rich: Portrait Painting in Bath 1720-1800, exhibition catalogue, The Holburne Museum of Art, 2002, pp. 89-90
John Riely, Henry William Bunbury 1750-1811, Exhibition Catalogue, Gainsborough's House, Sudbury, 1983
Muse theme
Art and Culture in Georgian Bath 1714-1830
Muse chapter Art and Culture in Georgian Bath 1714-1830 » Art » The Print Market
Art and Culture in Georgian Bath 1714-1830 » Art » After Gainsborough
Art and Culture in Georgian Bath 1714-1830 » Leisure » Assemblies, Dancing and Gambling
Gallery Label

HENRY WILLIAM BUNBURY (1750-1811), c.1788

Pastel on paper

National Portrait Gallery

 

The younger son of a Baronet, Bunbury was among the most successful caricaturists of his time, the golden age of caricature. He kept several engravers supplied with humorous sketches, as well as sentimental scenes for the decorative print market. His name was so well known that it guaranteed good sales. Horace Walpole called him 'the second Hogarth', although his satire was gentle and good-humoured. Here Bunbury is shown drawing one of his most celebrated caricatures, A Long Minuet as Danced at Bath, published in 1787.



18-6-2002

Places associated
with the object
Europe » Northern Europe » British Isles » Great Britain » England » Bath
Method of acquisition Bequest
Provenance Collection of Frank Brown, by whom bequeathed to the Museum
Exhibition history

Title of exhibition: Henry William Bunbury 1750-1811
Location of exhibition: Gainsborough's House, Sudbury
From: 20-2-1983
To: 10-4-1983
Reference: n/a

Title of exhibition: A Talent to Amuse: The Eighteenth Century Caricaturist Henry William Bunbury 1750-1811
Location of exhibition: Norwich Castle Museum
From: 3-10-1988
To: 10-1-1989

Search again