X389: Ring with intaglio of Hercules and Iole

View additional and larger photos
© The Holburne Museum of Art, Bath
| Museum number | X389 |
| Title | Ring with intaglio of Hercules and Iole |
| Object type | In category: Gems » Intaglio |
| Date | Circa 1800 |
| People |
Unknown - Gem carver(s) |
| Place of origin | Europe » Southern Europe » Italy » Italy |
| Condition |
Good |
| Dimensions |
2.3 cm height intaglio 2.6 cm height whole 2.3 cm width whole 2.2 cm diameter whole 2.0 cm width intaglio |
| Materials & techniques |
In categories: Metal » Gold Rock/ Mineral » Carnelian/cornelian |
| Description | Gold finger ring. The bezel is set with an oval intaglio depicting the naked figures of Hercules and Iole within a reeded open mount. Hercules sits on his lion skin to the left with his club at his side. Iole stands to the right. Her left arm is raised behind her head and a length of drapery hangs over her right arm. | ||||||
| Marks and inscriptions |
|
||||||
| Subject |
Figure Mythology |
||||||
| Notes | The 1887 Museum Catalogue lists this ring, together with 26 others, under the title Poniatowski Intaglie, Mounted in Gold as Rings. The Poniatowski collection was a celebrated collection of around 2,500 gems formed by Prince Stanislas Poniatowski (1754-1833). The gems were commissioned by the Prince from contemporary, mainly Roman engravers. However, he encouraged the belief that the gems were genuinely ancient. Most were original creations of superb quality that were derived from ancient literary sources such as the works of Homer, Virgil and Ovid. This intaglio, however, is an exact copy of an ancient amethyst intaglio signed by Teucer. Even the original signature is reproduced. That gem is now in the Museo Archeologico, Florence but during the early seventeenth century was in the collection of Nicolas-Claude Fabri de Peiresc of Aix-en-Provence. The Poniatowski collection was sold in a series of sales held at Christie's in 1839 (29 April – 21 May). The gems were subsequently recognised as modern and unjustly spurned and sold cheaply. However, X389 cannot have come from the Poniatowski gem as the signature is too imprecise and amateurish. An intaglio after the same model was in the Poniatowski collection and impressions of that gem survive. |
||||||
| Literature |
Gertrude Seidman, 'A Rediscovered Gem Collection in Bath', Jewellery Studies, vol. 7 (1996), p.75, fig. 13 |
||||||
| Muse theme | The Art of Collecting |
||||||
| Muse chapter |
The History of the Holburne Collection » Sir William Holburne and his Collection » Building the Collection
The History of the Holburne Collection » The Collection » Gems and Jewels |
||||||
| Method of acquisition | Bequest | ||||||
| Provenance | Thomas William Holburne (1793-1874); by whom bequeathed to Mary Anne Barbara Holburne (1802-1882), by whom bequeathed to the Museum |




